Interview mit LovelyBooks
Alice Hoffman, Jo-Ann Mapson, Alice Hoffman, Anita Shreve, Ann Hood, Amy Tan, Diana Gabaldon, Alice Hoffman, Jacquelyn Mitchard, Emma Donoghue, Alice Hoffman, Jennifer Weiner, Susan Isaacs, Dan Chaon, Aimee Bender, Elinor Lipman, Chris Bohjalian, Ann Tyler, and Jane Hamilton. Oh, and did I mention Alice Hoffman?
Usually, a what-if question: what if a boy left standing after a botched suicide pact was accused of murder? What if a little girl developed an imaginary friend who turned out to be God? What if an attorney didn't think that the legal system was quite good enough for her own child? I start by mulling a question and before I know it, a whole drama is unfolding in my head. Often, an idea sticks before I know what I'm going to do with it. For Mercy, I researched Scottish clans without having a clue why this was going to be important to the book. It was only after I learned about them that I realized I was writing a novel about the loyalty we bear to people we love. Sometimes ideas change in the middle. The The Pact was not a page-turner when I conceived it. I was going to write a character driven book about the female survivor of a suicide pact, and I went to the local police chief to do some preliminary research. “Huh,” he said, “it’s the girl who survives? Because if it was the boy, who was physically larger, he’d automatically be suspected of murder until cleared by the evidence.” Well, I nearly fell out of my seat. “Really?” I asked, and the character of Chris began to take shape. Sometimes I write books because other people make the suggestion: Plain Truth came about when my mother said I ought to explore the reclusive Amish. "If anyone can learn about them,” she said, “it’s you.” And sometimes, ideas grow out of the ones I’m researching. That happened with My Sister's Keeper - information I learned while researching Second Glance so fascinating to me that I stuck it into its own file and turned it into a story all its own.
I love getting fan mail. Often, as a writer, you never know what your readers think of a book… you get critical reviews and sales figures, but none of that is the same as knowing you've made a person stay up all night reading, or helped them have a good cry, or really touched their life. The best part of this web site is the accessibility fans have to me via email. Please email me and tell me what you thought of the book you read! The letters come right to me, and I always answer.
Aimee Bender’s THE PARTICULAR SADNESS OF LEMON CAKE, Emma Donoghue’s ROOM, Caroline Leavitt’s PICTURES OF YOU.
DO IT. Many people have a novel inside them, but most don't bother to get it out. Writing is grunt work - you need to have self-motivation, perseverance, and faith… talent is the smallest part of it (one need only read some of the titles on the NYT Bestseller list to see that… :) If you don't believe in yourself, and you don't have the fortitude to make that dream happen, why should the hotshots in the publishing world take a chance on you? I don't believe that you need an MFA to be a writer, but I do think you need to take some good workshops. These are often offered through writer's groups or community colleges. You need to learn to write on demand, and to get critiqued without flinching. When someone can rip your work to shreds without it feeling as though your arm has been hacked off, you're ready to send your novel off to an agent. There's no magic way to get one of those - it took me longer to find my wonderful agent than it did to get published! I suggest the Literary Marketplace, or another library reference material. Keep sending out your work and don't get discouraged when it comes back from an agent - just send it out to a different one. Attend signings/lectures by authors, and in your free time, read read read. All of this will make you a better writer. And – here’s a critical part – when you finally start to write something, do not let yourself stop…even when you are convinced it’s the worst garbage ever. This is the biggest caveat for beginning writers. Instead, force yourself to finish what you began, and THEN go back and edit it. If you keep scrapping your beginnings, however, you’ll never know if you can reach an end.